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In a passage of Munich, a woman is followed.
Four videos are showing traces of her passage, her transitions: she moves from one video to the other, almost subrepticely.
The videos are framed as paintings and depict scenaries in the passage that are peculiar, always adding an extra surface, between the lens of the camera and the filmed subject: a café glass wall, a marble ground, an inner window, and a shop window.
The extraordinary route of a young ordinary woman.